Robert Simpson in 1979

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Section: Articles by issue · Articles by author

Author: Robert Simpson · A · B · C · D · F · G · H · J · K · L · M · N · O · P · R · S · T · U · W


Articles ordered by TONIC issue

The Beginnings of the Robert Simpson Society
– John Brooks (1980)
1/1: 2–3
Composer of Our Time
– Robert Dearling (1979)
1/1: 4–9
List of Robert Simpson’s Works
– Angela Musgrave
1/1: 10–12
Two Early Piano Works
– Brian Duke
1/1: 13–15
The Man and the Music. With a discussion of some matters by Brian Duke and Hans Keller
– Hans Keller
1/2: 7–11
1/3: 11–13, 16–17
1/4: 23–24
The Origin of the First Symphony
– Harold Truscott
1/2: 11, 14–16
1/3: 25–26
A Birthday Hansel
– Lennox Berkeley, Adrian Boult, Derek Bourgeois, Peter Racine Fricker, Vagn Holmboe, John McCabe, Goffredo Petrassi, Edmund Rubbra, Humphrey Searle, Ronald Stevenson, Michael Tippett (1981)
1/2: 12–13
1980: A Year of Simpson (reprint from Tempo)
– Bayan Northcott (1980)
1/2: 16–19
Complete Discography 1/2: 20–21
60th Birthday Celebration: a Report
– J. David Gillett (1981)
1/3: 3–4
60th Birthday Radio Interview
– Robert Simpson/Michael Oliver (1981)
1/3: 6–11
The Canon in Robert Simpson’s Sixth Quartet
– Lionel Pike
1/3: 17–18
Working with Simpson
– John Underwood
1/3: 18–21
Recordings held in the British Institute of Recorded Sound [now National Sound Archive in The British Library]
– A. H. Mason
1/3: 22–25
The Constitution of the Robert Simpson Society (1981) 1/4: 7–8
Simpson’s Rasumovsky Quartets. An Introduction
– Lionel Pike
1/4: 8–10
Simpson’s Rasumovskys. Three discussions on the Fourth, Fifth and Sixth String Quartets
– Malcolm MacDonald/Robert Simpson
1/4: 11–16
2/1: 15
3/1: 18–25
3/4: 21–27
Forum: Essence of Bruckner
– Robert Simpson
1/4: 17
The Proms and Natural Justice. A comment, with a response by Robert Simpson
– Robert Matthew-Walker
1/4: 18–21
Symphony No. 5. Programme note
– Robert Simpson
2/1: 4–5
Friends and Mentors
– Robert Simpson
2/1: 6–7
The Robert Simpson Society Study Archive 2/1: 8
[How Do You Compose?] With a reply by Robert Simpson
– Gordon Roland-Adams
2/1: 9
The Genesis of the Eighth Symphony. A radio discussion
– Robert Simpson/Michael Oliver (1982)
2/1: 10–14
String Quartet No. 9. A review (reprint from The Sunday Times)
– David Cairns (1982)
2/1: 16–17
Comment or Perception? A sentient artist’s reply to unjust criticism
– Robert Simpson
2/1: 18–20
Robert Simpson – Foreground and Background
– Lionel Pike
2/2: 3–17
Tonality and the Symphony. With a response by Robert Simpson
– Paul Rapoport
2/2: 18–20
Professor David Gillett [†]
– John Brooks
3/1: 3–4
Two Friends ‘Gone’. [Edmund Rubbra and Hans Keller†]
– Robert Simpson
3/1: 4–5
The Ninth Symphony (1986). Programme note
– Robert Simpson
3/1: 6–7
The Fifth Symphony. An Analytical Commentary
– Paul Pellay
3/1: 8–12
The Four Temperaments
– Kevin Norbury
3/1: 13–16
The Sixth Symphony (1977). Programme note
– Robert Simpson
3/2: 4–5
The Seventh Symphony (1977). Programme note
– Robert Simpson
3/2: 5
The Ninth Symphony
– Lionel Pike (1989)
3/2: 7–13
An Expression of Energy
– Stephen Johnson (1987)
3/2: 14–16
New Simpson Masterwork. [Introduction and Allegro on a Bass by Max Reger]
– Eric Wilson (1988)
3/2: 17–19
John Brooks [†]
– Robert Simpson
3/3: 2
Simpson’s Symphonic Appetite: recorded talk with musical examples
– Malcolm MacDonald
3/3: 3–6
The Ninth Symphony (reprint from The Musical Times)
– Stephen Johnson (1987)
3/3: 7–13
The Twelfth Quartet (1987). Programme note
– Robert Simpson
3/3: 14
The Eighth Quartet – RS’s ‘New Way’ (reprint from Tempo)
– Lionel Pike (1985)
3/3: 15–29
The Sixth Symphony
– Lionel Pike
3/4: 2–12
The Seventh Symphony. A conductor’s perspective
– Matthew Taylor
3/4: 13–15
Ninth Symphony. A radio discussion
– Robert Simpson/Gillian White (1988)
3/4: 16–20
Symphony No. 2. Programme note
– Robert Simpson
4/1: 3
Simpson’s Second Symphony: The view from the archives
– Lionel Pike (1989)
4/1: 4–13
Robert Simpson’s 2nd Symphony – an analysis
– John Pickard
4/1: 15–25
On Conducting Oneself in Public (reprint from The Listener)
– Robert Simpson (1968)
4/1: 26–27
An Astronomical Quartet [No. 7]: a lesson from Robert Simpson
– Lionel Pike
4/2: 2–17
Robert Simpson at 70
– Philip Maund (1991)
4/2: 19–21
AGM talk
– Brian Duke (1991)
4/2: 22–24
Robert Simpson: an appreciation
– John McCabe (1991)
4/2: 25–26
Robert Simpson
– Robin Holloway (1991)
4/2: 26
How I Came to Meet Bob
– J. David Gillett
5: 2–4
The Ferocious Anti-Pessimist (reprint from The Times Higher Education Supplement)
– Lionel Pike (1984)
5: 5–7
Clues and Keys (reprint from The Listener)
– Hugh Ottaway (1970)
5: 8–10
Against Lipsius (reprint from The Listener)
– Robert Simpson (1971)
5: 11–14
Simpson’s Third Symphony – An Analysis
– John Pickard
6: 3–27
Towards a Study of Musical Motion: Robert Simpson’s Variations and Finale on a Theme of Haydn (reprint from The Music Review)
– Lionel Pike
7: 3–12
Simpson’s String Quartet No. 1 – An Analysis
– Lionel Pike
7: 13–27
A Study in Cosmic Motion: Robert Simpson’s Eppur si Muove
– Lionel Pike
8: 3–6
Robert Simpson’s String Quartets Nos. 4, 5, & 6 and their Relationship to Beethoven’s Opus 59 ‘Rasumovsky’ Quartets
– Simon Phillippo
8: 7–23
The Composer Speaks. Radio conversation
– Robert Simpson/Julian Budden (1981)
9: 3–31
Robert Simpson and Post-Structuralism. Analytical perspectives
– Greg Laybourn
10: 5–27
Circles, Mirrors, and Structural Momentum in Robert Simpson’s Second Symphony
– Simon Phillippo
10: 29–38
20th century music on record
– Robert Simpson (1958)
11: 3–6
Musicians Talking. Symphonic thinking, avant-garde and romanticism
– Robert Simpson/Deryck Cooke/Bernard Keeffe/Denis Matthews (1964)
11: 7–24
Haydn the Symphonist
– Robert Simpson (1952)
12: 2–48
Robert Simpson’s Dynamic Analogy: Techniques of Structural Re-Modelling
– Greg Laybourn (1996)
13: 2–34
Berlioz Now
– Robert Simpson (1960)
14: 3–28
Composing
– Robert Simpson (1959)
14: 29–34
Robert Simpson Lecture, Wigmore Hall
– Malcolm MacDonald (2000)
15: 3–12
Symphonic Momentum and Post-tonal Dramas: Simpson’s First Symphony
– Simon Phillippo (1999)
15: 13–18
Matthew Taylor conducts Robert Simpson’s Symphonic Swansong
– Martin Anderson (2004)
15: 19–22
Reviews: Robert Simpson, Symphony No. 11. Variations on a Theme of Nielsen. Hyperion CDA67500
– David Hurwitz, Hubert Culot, Robert Matthew-Walker, Martin Anderson
15: 23–27
Lewis Foreman interviews Dr Robert Simpson (Cedar Cottage, Chearsley, near Aylesbury)
– Robert Simpson/Lewis Foreman (1980)
16: 3–23
Correspondence between Robert Simpson and Adolf Busch from original material at the BrüderBuschArchiv at the Max-Reger-Institut/Elsa-Reger-Stiftung, Karlsruhe
– Robert Simpson, Adolf Busch
17: 3–8
The correspondence of Robert Simpson with William Bebbington from original material at the Robert Simpson Society Archives, edited by Terry Hazell & Jürgen Schaarwächter
– Robert Simpson, William G. Bebbington
17: 9–28
Gleichenstein’s Hat. Beethoven Essays by Maynard Solomon
– Robert Simpson (1989)
17: 29–31
Robert Simpson in conversation with Bruce Duffie via telephone
– Robert Simpson/Bruce Duffie (1991)
17: 32–40
Vernon Handley CBE 1939–2008. A Brief Reminiscence [†]
– Martin Anderson (2008)
18: 1–2
Variations as finale
– Robert Simpson (1982)
18: 5–6
On ‘completing’ unfinished master-pieces
– Robert Simpson (1989)
18: 7–11
The Art of Fugue (1964/1980)
– Robert Simpson
18: 12–15
More Bach: programme notes
– Robert Simpson
18: 16–17
Reger: programme note
– Robert Simpson
18: 18
Brahms: programme notes
– Robert Simpson
18: 19
Orchestral Style
– Robert Simpson (1947)
19: 3–20
A Note on the Symphonies of Mahler
– Robert Simpson (1948)
19: 21–24
Debussy, Ravel, and Impressionism
– Robert Simpson (1946)
19: 25–29
Sibelius and musical movement
– Robert Simpson (1946)
19: 30–32
Nature music in Robert Simpson — a personal response
– Matthew Taylor
20: 3–4
Variations and Fugue for recorder and string quartet
– John Turner
20: 5–7
Tribute to Jascha Horenstein (1898–1973)
– Robert Simpson
20: 8–9
Some recollections of Enescu
– Robert Simpson
20: 10–11
Ianus Geminus: Music in Scandinavia
– Robert Simpson
20: 12–18
Robert Simpson honoured in his home town
– David Jones (2011)
21: 3–9
Havergal Brian’s Symphonies Nos. 14 & 21
– Robert Simpson (1969)
21: 10–13
Havergal Brian’s Symphony No. 8
– Robert Simpson (1972)
21: 14–15
Havergal Brian’s Symphony No. 10
– Robert Simpson (1972)
21: 16–17
Havergal Brian’s Symphony No. 10
– Robert Simpson (1973)
21: 18–21
Havergal Brian’s Symphony No. 9
– Robert Simpson (1976)
21: 22–23
Havergal Brian’s Symphonies Nos. 10 & 21
– Robert Simpson (1972)
21: 24–26
The Brian revival
– Robert Simpson (1984)
21: 27–29
Brian’s “Gothic” – Robert Simpson in conversation with Stephen Johnson
– Robert Simpson/Stephen Johnson (1991)
21: 30–33
Textual accuracy in the “Gothic”
– Robert Simpson (1979)
21: 34
Introduction to the Guide to Modern Music on Records
– Robert Simpson (1958)
21: 35–38
Robert Simpson 1921–1997 – a memoir
– Robert Matthew-Walker (2001)
22: 2–60
Letters to Robert Simpson, edited by Jürgen Schaarwächter
– Kaikhosru Sorabji
23: 2–22
Editorial [CD releases; John McCabe†, Ronald Stevenson†, Miriam MacEwan†]
– Jürgen Schaarwächter, BBC, Martin Anderson, Donald Macauley
24: 1–8
The Power of Robert SimpsonRobert Simpson: Composer, book reviews
– Dermot Gault, Arnold Whittall, Richard Whitehouse, Lewis Foreman, Florian Schuck
24: 9–23
Robert Simpson’s ‘Gothic Symphony’? – Corrected version
– Lionel Pike
24: 25–43

Articles ordered by author

Martin Anderson

Matthew Taylor conducts Robert Simpson’s Symphonic Swansong (2004) 15: 19–22
Reviews: Robert Simpson, Symphony No. 11. Variations on a Theme of Nielsen. Hyperion CDA67500 15: 23–27
Vernon Handley CBE 1939–2008. A Brief Reminiscence [†] (2008) 18: 1–2
Editorial [CD releases; John McCabe†, Ronald Stevenson†, Miriam MacEwan†] 24: 1–8

BBC

Editorial [CD releases; John McCabe†, Ronald Stevenson†, Miriam MacEwan†] 24: 1–8

William G. Bebbington

The correspondence of Robert Simpson with William Bebbington from original material at the Robert Simpson Society Archives, edited by Terry Hazell & Jürgen Schaarwächter 17: 9–28

Lennox Berkeley

A Birthday Hansel (1981) 1/2: 12–13

Adrian Boult

A Birthday Hansel (1981) 1/2: 12–13

Derek Bourgeois

A Birthday Hansel (1981) 1/2: 12–13

John Brooks

The Beginnings of the Robert Simpson Society (1980) 1/1: 2–3
Professor David Gillett [†] 3/1: 3–4

Julian Budden

The Composer Speaks. Radio conversation (1981) 9: 3–31

Adolf Busch

Correspondence between Robert Simpson and Adolf Busch from original material at the BrüderBuschArchiv at the Max-Reger-Institut/Elsa-Reger-Stiftung, Karlsruhe 17: 3–8

David Cairns

String Quartet No. 9. A review (reprint from The Sunday Times) (1982) 2/1: 16–17

Deryck Cooke

Musicians Talking. Symphonic thinking, avant-garde and romanticism (1964) 11: 7–24

Hubert Culot

Reviews: Robert Simpson, Symphony No. 11. Variations on a Theme of Nielsen. Hyperion CDA67500 15: 23–27

Robert Dearling

Composer of Our Time (1979) 1/1: 4–9

Bruce Duffie

Robert Simpson in conversation with Bruce Duffie via telephone (1991) 17: 32–40

Brian Duke

Two Early Piano Works 1/1: 13–15
AGM talk (1991) 4/2: 22–24

Lewis Foreman

Lewis Foreman interviews Dr Robert Simpson (Cedar Cottage, Chearsley, near Aylesbury) (1980) 16: 3–23
The Power of Robert SimpsonRobert Simpson: Composer, book reviews 24: 9–23

Peter Racine Fricker

A Birthday Hansel (1981) 1/2: 12–13

Dermot Gault

The Power of Robert SimpsonRobert Simpson: Composer, book reviews 24: 9–23

J. David Gillett

60th Birthday Celebration: a Report (1981) 1/3: 3–4
How I Came to Meet Bob 5: 2–4

Robin Holloway

Robert Simpson (1991) 4/2: 26

Vagn Holmboe

A Birthday Hansel (1981) 1/2: 12–13

David Hurwitz

Reviews: Robert Simpson, Symphony No. 11. Variations on a Theme of Nielsen. Hyperion CDA67500 15: 23–27

Stephen Johnson

An Expression of Energy (1987) 3/2: 14–16
The Ninth Symphony (reprint from The Musical Times) (1987) 3/3: 7–13
Brian’s “Gothic” – Robert Simpson in conversation with Stephen Johnson (1991) 21: 30–33

David Jones

Robert Simpson honoured in his home town (2011) 21: 3–9

Bernard Keeffe

Musicians Talking. Symphonic thinking, avant-garde and romanticism (1964) 11: 7–24

Hans Keller

The Man and the Music. With a discussion of some matters by Brian Duke and Hans Keller 1/2: 7–11
1/3: 11–13, 16–17
1/4: 23–24

Greg Laybourn

Robert Simpson and Post-Structuralism. Analytical perspectives 10: 5–27
Robert Simpson’s Dynamic Analogy: Techniques of Structural Re-Modelling (1996) 13: 2–34

Malcolm MacDonald

Simpson’s Rasumovskys. Three discussions on the Fourth, Fifth and Sixth String Quartets 1/4: 11–16
2/1: 15
3/1: 18–25
3/4: 21–27
Simpson’s Symphonic Appetite: recorded talk with musical examples 3/3: 3–6
Robert Simpson Lecture, Wigmore Hall (2000) 15: 3–12

Donald Macauley

Editorial [CD releases; John McCabe†, Ronald Stevenson†, Miriam MacEwan†] 24: 1–8

A. H. Mason

Recordings held in the British Institute of Recorded Sound [now National Sound Archive in The British Library] 1/3: 22–25

Robert Matthew-Walker

The Proms and Natural Justice. A comment, with a response by Robert Simpson 1/4: 18–21
Reviews: Robert Simpson, Symphony No. 11. Variations on a Theme of Nielsen. Hyperion CDA67500 15: 23–27
Robert Simpson 1921–1997 – a memoir (2001) 22: 2–60

Denis Matthews

Musicians Talking. Symphonic thinking, avant-garde and romanticism (1964) 11: 7–24

Philip Maund

Robert Simpson at 70 (1991) 4/2: 19–21

John McCabe

A Birthday Hansel (1981) 1/2: 12–13
Robert Simpson: an appreciation (1991) 4/2: 25–26

Angela Musgrave

List of Robert Simpson’s Works 1/1: 10–12

Kevin Norbury

The Four Temperaments 3/1: 13–16

Bayan Northcott

1980: A Year of Simpson (reprint from Tempo) (1980) 1/2: 16–19

Michael Oliver

60th Birthday Radio Interview (1981) 1/3: 6–11
The Genesis of the Eighth Symphony. A radio discussion (1982) 2/1: 10–14

Hugh Ottaway

Clues and Keys (reprint from The Listener) (1970) 5: 8–10

Paul Pellay

The Fifth Symphony. An Analytical Commentary 3/1: 8–12

Goffredo Petrassi

A Birthday Hansel (1981) 1/2: 12–13

Simon Phillippo

Robert Simpson’s String Quartets Nos. 4, 5, & 6 and their Relationship to Beethoven’s Opus 59 ‘Rasumovsky’ Quartets 8: 7–23
Circles, Mirrors, and Structural Momentum in Robert Simpson’s Second Symphony 10: 29–38
Symphonic Momentum and Post-tonal Dramas: Simpson’s First Symphony (1999) 15: 13–18

John Pickard

Robert Simpson’s 2nd Symphony – an analysis 4/1: 15–25
Simpson’s Third Symphony – An Analysis 6: 3–27

Lionel Pike

The Canon in Robert Simpson’s Sixth Quartet 1/3: 17–18
Simpson’s Rasumovsky Quartets. An Introduction 1/4: 8–10
Robert Simpson – Foreground and Background 2/2: 3–17
The Ninth Symphony (1989) 3/2: 7–13
The Eighth Quartet – RS’s ‘New Way’ (reprint from Tempo) (1985) 3/3: 15–29
The Sixth Symphony 3/4: 2–12
Simpson’s Second Symphony: The view from the archives (1989) 4/1: 4–13
An Astronomical Quartet [No. 7]: a lesson from Robert Simpson 4/2: 2–17
The Ferocious Anti-Pessimist (reprint from The Times Higher Education Supplement) (1984) 5: 5–7
Towards a Study of Musical Motion: Robert Simpson’s Variations and Finale on a Theme of Haydn (reprint from The Music Review) 7: 3–12
Simpson’s String Quartet No. 1 – An Analysis 7: 13–27
A Study in Cosmic Motion: Robert Simpson’s Eppur si Muove 8: 3–6
Robert Simpson’s ‘Gothic Symphony’? – Corrected version 24: 25–43

Paul Rapoport

Tonality and the Symphony. With a response by Robert Simpson 2/2: 18–20

Gordon Roland-Adams

[How Do You Compose?] With a reply by Robert Simpson 2/1: 9

Edmund Rubbra

A Birthday Hansel (1981) 1/2: 12–13

Jürgen Schaarwächter

Editorial [CD releases; John McCabe†, Ronald Stevenson†, Miriam MacEwan†] 24: 1–8

Florian Schuck

The Power of Robert SimpsonRobert Simpson: Composer, book reviews 24: 9–23

Humphrey Searle

A Birthday Hansel (1981) 1/2: 12–13

Robert Simpson

60th Birthday Radio Interview (1981) 1/3: 6–11
Simpson’s Rasumovskys. Three discussions on the Fourth, Fifth and Sixth String Quartets 1/4: 11–16
2/1: 15
3/1: 18–25
3/4: 21–27
Forum: Essence of Bruckner 1/4: 17
Symphony No. 5. Programme note 2/1: 4–5
Friends and Mentors 2/1: 6–7
The Genesis of the Eighth Symphony. A radio discussion (1982) 2/1: 10–14
Comment or Perception? A sentient artist’s reply to unjust criticism 2/1: 18–20
Two Friends ‘Gone’. [Edmund Rubbra and Hans Keller†] 3/1: 4–5
The Ninth Symphony (1986). Programme note 3/1: 6–7
The Sixth Symphony (1977). Programme note 3/2: 4–5
The Seventh Symphony (1977). Programme note 3/2: 5
John Brooks [†] 3/3: 2
The Twelfth Quartet (1987). Programme note 3/3: 14
Ninth Symphony. A radio discussion (1988) 3/4: 16–20
Symphony No. 2. Programme note 4/1: 3
On Conducting Oneself in Public (reprint from The Listener) (1968) 4/1: 26–27
Against Lipsius (reprint from The Listener) (1971) 5: 11–14
The Composer Speaks. Radio conversation (1981) 9: 3–31
20th century music on record (1958) 11: 3–6
Musicians Talking. Symphonic thinking, avant-garde and romanticism (1964) 11: 7–24
Haydn the Symphonist (1952) 12: 2–48
Berlioz Now (1960) 14: 3–28
Composing (1959) 14: 29–34
Lewis Foreman interviews Dr Robert Simpson (Cedar Cottage, Chearsley, near Aylesbury) (1980) 16: 3–23
Correspondence between Robert Simpson and Adolf Busch from original material at the BrüderBuschArchiv at the Max-Reger-Institut/Elsa-Reger-Stiftung, Karlsruhe 17: 3–8
The correspondence of Robert Simpson with William Bebbington from original material at the Robert Simpson Society Archives, edited by Terry Hazell & Jürgen Schaarwächter 17: 9–28
Gleichenstein’s Hat. Beethoven Essays by Maynard Solomon (1989) 17: 29–31
Robert Simpson in conversation with Bruce Duffie via telephone (1991) 17: 32–40
Variations as finale (1982) 18: 5–6
On ‘completing’ unfinished master-pieces (1989) 18: 7–11
The Art of Fugue (1964/1980) 18: 12–15
More Bach: programme notes 18: 16–17
Reger: programme note 18: 18
Brahms: programme notes 18: 19
Orchestral Style (1947) 19: 3–20
A Note on the Symphonies of Mahler (1948) 19: 21–24
Debussy, Ravel, and Impressionism (1946) 19: 25–29
Sibelius and musical movement (1946) 19: 30–32
Tribute to Jascha Horenstein (1898–1973) 20: 8–9
Some recollections of Enescu 20: 10–11
Ianus Geminus: Music in Scandinavia 20: 12–18
Havergal Brian’s Symphonies Nos. 14 & 21 (1969) 21: 10–13
Havergal Brian’s Symphony No. 8 (1972) 21: 14–15
Havergal Brian’s Symphony No. 10 (1972) 21: 16–17
Havergal Brian’s Symphony No. 10 (1973) 21: 18–21
Havergal Brian’s Symphony No. 9 (1976) 21: 22–23
Havergal Brian’s Symphonies Nos. 10 & 21 (1972) 21: 24–26
The Brian revival (1984) 21: 27–29
Brian’s “Gothic” – Robert Simpson in conversation with Stephen Johnson (1991) 21: 30–33
Textual accuracy in the “Gothic” (1979) 21: 34
Introduction to the Guide to Modern Music on Records (1958) 21: 35–38

Kaikhosru Sorabji

Letters to Robert Simpson, edited by Jürgen Schaarwächter 23: 2–22

Ronald Stevenson

A Birthday Hansel (1981) 1/2: 12–13

Matthew Taylor

The Seventh Symphony. A conductor’s perspective 3/4: 13–15
Nature music in Robert Simpson — a personal response 20: 3–4

Michael Tippett

A Birthday Hansel (1981) 1/2: 12–13

Harold Truscott

The Origin of the First Symphony 1/2: 11, 14–16
1/3: 25–26

John Turner

Variations and Fugue for recorder and string quartet 20: 5–7

John Underwood

Working with Simpson 1/3: 18–21

Gillian White

Ninth Symphony. A radio discussion (1988) 3/4: 16–20

Richard Whitehouse

The Power of Robert SimpsonRobert Simpson: Composer, book reviews 24: 9–23

Arnold Whittall

The Power of Robert SimpsonRobert Simpson: Composer, book reviews 24: 9–23

Eric Wilson

New Simpson Masterwork. [Introduction and Allegro on a Bass by Max Reger] (1988) 3/2: 17–19